12.23.2013

Watercolor Washes & Studies with Jean Haines




The expectation to paint a frameable finished watercolor each time you preciously carve out the space and time to paint can be a hindrance to one's creative growth.  This is one of the many beautiful lessons I have gained from my watercolor studies with Jean Haines.

I've had the wonderful opportunity to study with Jean for a second time, earlier this year.  Studying with her is both refreshing, inspiring, motivating and incredibly fun, while at the same time encouraging you to better your own skills.  While Jean has her own unique style of painting, she also has the ability to pinpoint everyone's individual strengths and provide just the right amount of challenge to take you to the next step of your journey as an artist.

I first contacted Jean in 2011, when I learned of her incredible work.  I was thrilled to hear back from her and to eventually learn of her workshops in the USA.  I knew I could learn much from her, and I had booked right away. 

And learn much from her I did indeed. 


Perhaps the most important lesson I walked away from her workshops with is the joy and beauty of the watercolor wash.  Jean encourages doing loose washes as warm up exercises prior to starting a finished work.  She likens it to working out, where you wouldn't start lifting the heavy weights without warming up with the lighter ones first.  

Allowing water and pigment to flow and interact freely without any preconceived visual ideas of what you want to happen, is also an extremely serene and peaceful process, almost meditative.  Interestingly, it has a connection to one of my philosophies towards life itself;  not always setting rigid goals for yourself and allowing the beauty of  life to unfold and shift with your interests, passions, and dreams as they evolve over time.

I like my watercolors to be a combination of planning, and allowing some of the magic of the medium to occur during the process of painting.  The watercolor wash is the perfect start for this process.   I'll have to be honest and say some of my watercolors, which I might consider frameable, ended up being warm up exercises painted on the backs of other washes.   By freeing yourself from any pressure, you often end up with so much more then you expected.

Many thanks to Jean, for this gift.  If you happen to work in the wonderful medium of watercolor, and would like to learn more about washes, you can have a look at Jean's wonderful DVD, in which she starts by demonstrating these.   Another great resource for washes is the work of watercolor artist Jane Minter.

(using Jean Haines' "Venetian technique" as explained in her latest book)

For now, I have purchased some new and exciting watercolors that I learned of from Jean and am eager to continue experimenting with them.

Wishing you a wonderful holiday ahead, and a lovely start to the new year.  New Year...perhaps it is no coincidence I am reflecting on the preparatory wash as the new year is ahead.  Beginnings are wonderful moments for reflection, inspiration, calm, and tranquility from which to ever so elegantly move forward.  As with anything else in life, and perhaps especially creativity, this is the most beautiful way to approach and begin the journey be it for the moment, the day, the years, or a lifetime.

 A link to my review of Jean's latest book can be seen here.


11.30.2013

Some New Works and my Shop Opening


Ca' d'Oro, Venice, Celebration 
watercolor on Arches paper
copyright © Sophia Khan



Venice, Arrival
watercolor on Arches paper
copyright © Sophia Khan



Monreale Cloister, capital detail
watercolor on Arches paper
copyright © Sophia Khan

It's been quite a while since I have posted here.  I must admit, most of my blogging has been taking place over at my website.  But I did want to update my work here as well, to share a bit of my latest creative endeavors.  Above are three recent watercolors.  I've experimenting a bit with some new colors and techniques and, I must admit, am quite pleased with where this is taking me so far.  

Venice has been a favorite subject for some time, but I can never tire of seeing it and painting it in new ways. Some thoughts of Venice can be seen in my diary here.

The cloister in Monreale is a new subject for me, and I've enjoyed painting the intricacies and details of the beautiful capital.  My reflections on this can be seen in my diary here.

I am also excited to say that I have opened up two new online shops.  One on my website here.  The other, for smaller prints, on Etsy here.  If you are interested in making a purchase on my website, please do use coupon code HOLIDAY15%4U (valid through next weekend).

I hope you are enjoying the start of the holiday season and wishing you enjoy your weekend.

4.30.2013

Ca' d'Oro Venice Sketch


© Sophia Khan

A crop of a small watercolor sketch of the Ca' d'Oro in Venice, done as a study for a larger painting

If you are new here, be sure to have a look at my website for more work here.


3.02.2013

New Website

Royal Palace doorknocker, Fez
© Sophia Khan

I am excited to announce the launch of my new fine art website here.  I have additional plans for it in the future as well, but this is where I am right now.  I will still be blogging and sharing my work here, and I continue to look forward to interactions with followers, visitors, and fellow creatives.

12.28.2012

Alhambra Palace, Granada II

© Sophia Khan
watercolor on Arches paper

Several weeks ago, I took a wonderful watercolor workshop with Jean Haines where I started a painting of the Alhambra Palace.  I got some great feedback from Jean and based upon that, I did this second painting of it at home (done without a pencil sketch).  I am not sure if it is complete, but I will let it be for now.

Update
New here? Be sure to visit my Fine Art website here.

12.12.2012

Casa de Pilatos, Seville


© Sophia Khan
watercolor on Arches paper

Update
New here? Be sure to stop by my Fine Art website here.

12.07.2012

watercolor washes


© Sophia Khan
watercolor on Arches paper

I have been working on and off on a highly detailed watercolor for quite some time. Beginning the day with these watercolor washes has been a wonderful way to relax, enjoy the slow process of the wash, be patient, and simply loosen up.  

I also enjoy these as it's wonderful to begin with something not knowing exactly where it will lead.

11.14.2012

Alhambra Palace, Granada

© Sophia Khan
watercolor on Arches paper

A watercolor which I began during a workshop with Jean Haines, completed at home, painted without an underlying pencil sketch.

Update
New here? Be sure to visit my Fine Art website here.

11.10.2012

Moroccan Door


© Sophia Khan
watercolor on Arches paper

This is one of the watercolors I did during a workshop with Jean Haines, done without an underlying pencil sketch.

10.06.2012

Venice from a distance in time and space


© Sophia Khan
watercolor on Arches paper


© Sophia Khan
watercolor on Arches paper


Life has been keeping me quite busy lately but taking the time to work on Venetian landscapes, such as these, has brought me moments of relaxation and enjoyment. I don't force myself to paint on a schedule, at least not right now.  Rather, I wait to be in the right frame of mind so I can enjoy the process and not have it feel like a task.  

Update
New here?  Be sure to stop by my Fine Art website here.

7.29.2012

Enjoying Venice II

© Sophia Khan

I am beginning to appreciate more and more the use of the role of water in watercolor painting. Experimenting with how much to use, when to continually apply it, how much to let it dry before adding more pigment, etc. is part of the fun and process of using the medium to ones advantage.

With this study, I chose a vertical orientation to a scene that is intuitively landscape oriented to see where it would lead me.  I like the results in that it almost looks like a section showing the depth of the water rather than the viewers distance from it.  

I'll surely be continuing my studies into this subject.

Update
New here? Be sure to visit my Fine Art website here.

7.22.2012

Enjoying Venice


© Sophia Khan

Yesterday, I went to my local art supply shop to buy a new block of Arches paper. There, I found a small landscape oriented watercolor journal that I just fell in love with and had to buy.  My mind thought of all the small landscape studies I could do of the Church of San Giorgio Maggiore in Venice.  (My previous study can be found below, or by clicking here.)

I got up this morning, ran some errands, and happily sat myself down to start having some fun.  I purposefully decided not to use a pencil sketch as I didn't want the paintings to be planned, but more intuitive.  I ended up doing three of the same subject and these are the ones I liked the most.  

I absolutely loved using a small sheet and not worrying about the outcome so much as simply enjoying the process.  I enjoyed every brush stroke from laying the water down for the lagoon to apply wet on wet paint, to working my way upward to the sky and architecture.  I enjoyed figuring out the proportions of the church facade as I painted it.  My favorite moments were finishing off with a slight hint of a dome and campanile.

I feel like the methods I used today were almost a complete opposite of my usual way of painting.  I didn't even mind not using a watercolor block and having the paper slightly buckle before me as it dried.  

Time well spent.  

7.14.2012

Ca' d'Oro, Venice


© Sophia Khan
watercolor on tea stained Arches paper

I decided to work on a painting following my earlier quick study.  I have had Arches rough paper for some time (which is more textured than cold pressed paper) and didn't think I would enjoy working on it as much as I did.  I also really enjoyed working with my new Kolinsky Sable brushes, which I find are well suited to this type of loose work.  I am debating whether to add the arches to the bottom of the arches shown.  I think I am liking the square composition.